The reigning Scottish Jazz Awards Instrumentalist of the Year, Konrad Wiszniewski brings the group he co-leads with pianist Euan Stevenson to the Jazz at St James concert series in Leith on Saturday, 14th April.

Cumbernauld-born Wiszniewski, who is also a prominent member of the Scottish National Jazz Orchestra, formed New Focus with Stevenson in 2011 to mark the fiftieth anniversary of saxophone legend Stan Getz’s 1961 orchestral album, Focus, and the group has since taken on a life of its own, in a variety of line-ups

“We’re playing in Leith as quartet, with bass and drums,” says Wiszniewski, the nephew of Glasgow artist Adrian Wiszniewski. “But the group has become quite elastic. Euan and I go out as a duo sometimes, still under the New Focus name, and we’ve played concerts with a string quartet and pedal harp augmenting the jazz quartet. We’ve even played as a trio – sax, piano and double bass – so we really have become the group to suit all
promoters’ pockets.”

Following the Stan Getz tribute, which featured some of the music from his Focus album with a string section, Wiszniewski and Stevenson decided to continue working with strings but playing their own compositions. Their first album, simply titled New Focus, was shortlisted for the Scottish Album of the Year award in 2012 and they have since released a follow-up, New Focus on Song, which reflected their engagement with both pop and folk music.

They have also played at a number of prestigious events, including BBC Radio 3’s 70th Birthday celebrations at the South Bank in London in 2016, in a concert that was broadcast live. Last summer they appeared at the world famous Ronnie Scott’s jazz club in Soho and in January they were invited to open a concert at Celtic Connections in Glasgow for the Cuban music legend Juan de Marcos González’s Afro-Cuban All-Stars, a spin-off from the Buena Vista Social Club.

“Our music seems to fit into a few different categories,” says Wiszniewski. “There are classical influences, because Euan studied classical composition at Birmingham Conservatoire and he still does recitals, and it’s almost impossible for us to live and work in Scotland without reflecting a Scottish influence. We toured with the great American saxophonist Ravi Coltrane’s group a year or two ago and his musicians were very complimentary about how we were playing jazz that reflected our own culture rather than theirs, so it’s good to have that kind of approval.”